The Energy of the Russian Intelligentsia
Velimir Khlebnikov (1885-1922)
According to Willem G. Weststeijn, a large part of the Russian intelligentsia supported the Russian Revolution of 1917. * Note 1
“One of the more remarkable figures in the cultural renaissance in Russia at the beginning of this century was the futurist poet Velimir Khlebnikov (1885-1922). He was born in a small town in the region of the Southern Russian city of Astrakhan, where his father was a district administrator.” * Note 1 * “Cities full of cutting-edge industries imported from Europe punctuate a vastness where four-fifths of the people are peasants tied to the soil, in near-feudal abjection. In the works of visionary artists like Velimir Khlebnikov […] a strange modernist beauty illuminates a dominion where the great majority cannot read.” * Note 2 *
1 – link to https://www.jstor.org/stable/26288139, Weststeijn, Willem G. “Another Language, Another World: The Linguistic Experiments of Velimir Khlebnikov.” L’Esprit Créateur, vol. 38, no. 4, 1998, pp. 27–37. JSTOR, www.jstor.org/stable/26288139. Accessed 10 Sept. 2021.
2 – Miéville China. October: The Story of the Russian Revolution. Verso, 2018.
Russian Poetry
link to The Khlebnikov Effect – Slavic Review – “Velimir Khlebnikov led a twofold revolution in poetry, based on mathematics and on morphology. His writings insist that the look of poetry matters, although Khlebnikov’s indifference to the appearance of his work in print was legendary.” – pg. 612 * NOTE 11
Sandler, Stephanie. 2008. “Visual Poetry after Modernism: Elizaveta
Mnatsakanova.” Slavic Review 67 (3): 610-641.
Futurism
“There can be no argument that the word Futurism (Futurists, Futuristic) appeared in Russia after my first manifesto was printed in Figaro and reprinted by the most important newspapers throughout the world and, of course, by Russian newspapers and journals.” F. T. Marinetti – pg. 229 Douglas
7 – link to https://www.jstor.org/stable/775994, Douglas, Charlotte. “The New Russian Art and Italian Futurism.” Art Journal, vol. 34, no. 3, 1975, pp. 229–239. JSTOR, www.jstor.org/stable/775994. Accessed 11 Sept. 2021.
Filippo Tommaso Marinetti
Italian poet, editor, art theorist, and founder of the Futurist movement * NOTE 9, Filippo Tommaso Marinetti (1876 – 1944) was the author of the first Futurist Manifesto.
F.T Marinetti and Futurism
link to https://www.jstor.org/stable/40858814, Wynne, Marjorie G., and Luce Marinetti Barbi. “F.T Marinetti and Futurism.” The Yale University Library Gazette, vol. 57, no. 3/4, 1983, pp. 104–137. JSTOR, www.jstor.org/stable/40858814. Accessed 11 Sept. 2021.
About Today’s Featured Image: By Mosfilm – Cosmic Voyage (1935), Public Domain
Notes
1 – link to https://www.jstor.org/stable/26288139, Weststeijn, Willem G. “Another Language, Another World: The Linguistic Experiments of Velimir Khlebnikov.” L’Esprit Créateur, vol. 38, no. 4, 1998, pp. 27–37. JSTOR, www.jstor.org/stable/26288139. Accessed 10 Sept. 2021. * “One of the more remarkable figures in the cultural renaissance in Russia at the beginning of this century was the futurist poet Velimir Khlebnikov (1885-1922). He was born in a small town in the region of the Southern Russian city of Astrakhan, where his father was a district administrator.” – pg. 27
2 – Miéville China. October: The Story of the Russian Revolution. Verso, 2018. * “Cities full of cutting-edge industries imported from Europe punctuate a vastness where four-fifths of the people are peasants tied to the soil, in near-feudal abjection. In the works of visionary artists like Velimir Khlebnikov […] a strange modernist beauty illuminates a dominion where the great majority cannot read.” – pg. 28
3 – Wikipedia contributors. (2021, June 10). Velimir Khlebnikov. In Wikipedia, The Free Encyclopedia. Retrieved 15:56, September 10, 2021, from https://en.wikipedia.org/w/index.php?title=Velimir_Khlebnikov&oldid=1027922310
4 – Wikipedia contributors. (2021, July 30). Russian Futurism. In Wikipedia, The Free Encyclopedia. Retrieved 16:18, September 10, 2021, from https://en.wikipedia.org/w/index.php?title=Russian_Futurism&oldid=1036252425
5 – link to https://www.jstor.org/stable/304692, Poggioli, Renato. “Russian Futurism, Xlebnikov, Esenin.” The Slavic and East European Journal, vol. 2, no. 1, 1958, pp. 3–21. JSTOR, www.jstor.org/stable/304692. Accessed 11 Sept. 2021.
6 – Wikipedia contributors. (2021, June 10). Igor Severyanin. In Wikipedia, The Free Encyclopedia. Retrieved 04:15, September 11, 2021, from https://en.wikipedia.org/w/index.php?title=Igor_Severyanin&oldid=1027922362
7 – link to https://www.jstor.org/stable/775994, Douglas, Charlotte. “The New Russian Art and Italian Futurism.” Art Journal, vol. 34, no. 3, 1975, pp. 229–239. JSTOR, www.jstor.org/stable/775994. Accessed 11 Sept. 2021. * “There can be no argument that the word Futurism (Futurists, Futuristic) appeared in Russia after my first manifesto was printed in Figaro and reprinted by the most important newspapers throughout the world and, of course, by Russian newspapers and journals.” F. T. Marinetti – pg. 229 *
8 – Wikipedia contributors. (2021, August 4). Russian science fiction and fantasy. In Wikipedia, The Free Encyclopedia. Retrieved 04:40, September 11, 2021, from https://en.wikipedia.org/w/index.php?title=Russian_science_fiction_and_fantasy&oldid=1037163566
9 – Wikipedia contributors. (2021, September 3). Filippo Tommaso Marinetti. In Wikipedia, The Free Encyclopedia. Retrieved 15:41, September 11, 2021, from https://en.wikipedia.org/w/index.php?title=Filippo_Tommaso_Marinetti&oldid=1042100620
10 – link to https://www.jstor.org/stable/40927966, Cesare, T. Nikki, and Mariellen R. Sandford. “To Avant or Not to Avant: Questioning the Experimental, the New, and the Potential to Shock in the New Garde.” TDR (1988-), vol. 54, no. 4, 2010, pp. 7–10. JSTOR, www.jstor.org/stable/40927966. Accessed 11 Sept. 2021.
11 – link to https://www.jstor.org/stable/27652942, Sandler, Stephanie. “Visual Poetry after Modernism: Elizaveta Mnatsakanova.” Slavic Review, vol. 67, no. 3, 2008, pp. 610–641. JSTOR, www.jstor.org/stable/27652942. Accessed 11 Sept. 2021.
Mikhail Larionov’s Modernist Primitivism
link to https://www.jstor.org/stable/3600445, Warren, Sarah. “Spent Gypsies and Fallen Venuses: Mikhail Larionov’s Modernist Primitivism.” Oxford Art Journal, vol. 26, no. 1, 2003, pp. 25–44. JSTOR, www.jstor.org/stable/3600445. Accessed 11 Sept. 2021.
Russian Poetry
link to The Khlebnikov Effect – Slavic Review – “Velimir Khlebnikov led a twofold revolution in poetry, based on mathematics and on morphology. His writings insist that the look of poetry matters, although Khlebnikov’s indifference to the appearance of his work in print was legendary.” – pg. 612
Sandler, Stephanie. 2008. “Visual Poetry after Modernism: Elizaveta
Mnatsakanova.” Slavic Review 67 (3): 610-641.
link to topostext DOT org – work – 241
Links of Vital Importance
link to Newest “Vaccine” Definition, or see below:
Wikipedia contributors. (2021, September 6). Argos, Peloponnese. In Wikipedia, The Free Encyclopedia. Retrieved 02:14, September 10, 2021, from https://en.wikipedia.org/w/index.php?title=Argos,_Peloponnese&oldid=1042816158
link to https://www.jstor.org/stable/40858814, Wynne, Marjorie G., and Luce Marinetti Barbi. “F.T Marinetti and Futurism.” The Yale University Library Gazette, vol. 57, no. 3/4, 1983, pp. 104–137. JSTOR, www.jstor.org/stable/40858814. Accessed 11 Sept. 2021. * “[…] born on December 22, 1876 […] in his youth his lyric character shifted between mysticism and extroversion, an his intense committment to ideas often led to struggles between the students of different nationalities at St. Françios Xavier […]” *
link to https://www.jstor.org/stable/10.1163/j.ctt1w8h0q1.20, Furman, Olga. “Natalia Goncharova: Artistic Innovator and Inspiring Muse.” Marianne Werefkin and the Women Artists in Her Circle, edited by Tanja Malycheva and Isabel Wünsche, Brill, LEIDEN; BOSTON, 2017, pp. 193–206. JSTOR, www.jstor.org/stable/10.1163/j.ctt1w8h0q1.20. Accessed 11 Sept. 2021.
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